Film critic Lisa Nesselson and presenter Eve Jackson are live from opening night at the 2024 Cannes Film Festival. They discuss France's #MeToo reckoning, the opening film "The Second Act", starring Bond girl Léa Seydoux, and some of this year's expected highlights, including "Megalopolis", a new film from "Godfather" director Francis Ford Coppola.Film critic Lisa Nesselson and presenter Eve Jackson are live from opening night at the 2024 Cannes Film Festival. They discuss France's #MeToo reckoning, the opening film "The Second Act", starring Bond girl Léa Seydoux, and some of this year's expected highlights, including "Megalopolis", a new film from "Godfather" director Francis Ford Coppola.

Nine years after "Mad Max: Fury Road", the Australian director, screenwriter and producer George Miller’s famous saga’s is back on the Croisette. Eve Jackson tells us more about the highly anticipated "Furiosa: A Mad Max Saga", premiering Wednesday in the presence of the director and the cast, led by Anya Taylor-Joy, Chris Hemsworth and Tom Burke.

Eve Jackson brings you the latest from the Cannes Film festival including the premiere of Greek filmmaker Yorgos Lanthimos' “Kinds of Kindness” with Emma Stone, Willem Defoe, Margaret Qualley and Jesse Plemons. His last movie “Poor Things” took four Oscars earlier this year.

David Cronenberg – or Dave Deprave, as he's sometimes nicknamed – is the father of body horror. "The Shrouds" is the director's seventh film in competition at Cannes. Each one has been controversial. His first Cannes movie in 1996, "Crash", inspired mass walkouts at its premiere but ended up winning a Special Jury Prize.

The star of the Cannes Film Festival today is the Paris Olympics. Sports personalities and athletes are here for the premiere of Mickaël Gamrasni’s documentary "Olympiques ! La France des Jeux", in which three generations of French athletes explain why the country has such a special relationship with the Games.

As a child, Georgian film manager Gaga Chkheidze went to the movies every day. For years, he has been campaigning for freedom and diversity in Georgian cinema—often against considerable resistance.