At Paris Fashion Week, French luxury giants LVMH and Kering revolutionise the runway with a charter on models' rights.

Fashion is always one season ahead, defined by its link to the disruptions that push our society forward. For its winter 2020 ready-to-wear collections, Chanel sends both slim and voluptuous models down the catwalk; black and white women dressed as musketeers. Balmain rethinks the very concept of the bourgeoisie, while Nigerian designer Kenneth Ize joins his South African colleague Thebe Magugu in turning to his roots for inspiration. Last but not least, Japanese designers Issey Miyake and Yohji Yamamoto

As the world of fashion mourns the death of Kenzo Takada, Paris once again plays host to real-life fashion shows. Under the leadership of creative director Felipe Oliveira Baptista, Kenzo sounds the alarm over the destruction of global bee populations. At Dior, meanwhile, Maria Grazia Chiuri explores the way clothes are now more in the private sphere than ever before. And Nigerian designer Kenneth Ize uses his catwalk show to send home a defiant message: the celebration of his queer identity.

No one really knows what next summer will bring, but one thing's for sure. When it comes to ready-to-wear fashion, there's a choice between two standout trends: streetwear and drapery. Will the seductive volumes of Yohji Yamamoto carry the day, or will it be the often tongue-in-cheek style of Prune Goldschmidt? Or will it be a choice between the form-hugging creations of Malian-Senegalese designer Lamine Kouyaté and the relaxed "street couture" of Christelle Kocher? FRANCE 24 takes a closer look.

Mirror, mirror on the wall… who's the fairest of them all? Dior’s sumptuous and subversive film for next autumn's ready-to-wear offerings suggests the answer isn't a simple one. With in-person fashion weeks still cancelled due to the Covid-19 pandemic, the film was shot inside Versailles's world-famous hall of mirrors. Maria Grazia Chiuri takes us deep into a world of fairy tales with the help of a challenging set from Italian artist Silvia Giambrone, set off by choreography from Sharon Eyal.

After almost two years of empty catwalks, summer 2022's ready-to-wear collections were finally able to be shown in public, and designers rose to the occasion. Yohji Yamamoto's collection was all about the perils of climate change. But the standout feature of this season is an approach to fashion that privileges the female gaze, with Marine Serre, Dior and Isabel Marant all presenting clothes designed to be worn by women and enjoyed by women – rather than having men looking at them!

Today, the fashion industry is increasingly waking up to the importance of acknowledging the full range of human experience in the clothes and messaging it puts out. Inclusion is in fashion and it's taking many exciting forms, from a catwalk show for amputees in Paris to a show by Parisian label Victoria/Tomas that uses the designers' mums as models, via a project that helps migrants pursue careers in textiles in France. FRANCE 24 brings you a round-up.

War may have broken out in Europe, but the world of fashion has decided that the show – that is, next winter's ready-to-wear Fashion Week – must go on. Financial interests no doubt played a large part in that decision, but so too did the conviction that now isn't the time to be stifling artistic expression. For the occasion, Dior takes advantage of technological innovation, Caribbean duo Botter defend coral reefs and the French Institute of Fashion encourages its students to embrace virtual reality.

With war raging in Ukraine, it's not easy to know how to speak about fashion – if at all. The best answer is to face the paradox. Thanks to the French Federation for Haute Couture and Fashion, Ukrainian designer Lilia Litovskaya is now safe in Paris. At Balenciaga, Demna Gvasalia, who fled a Kremlin-backed civil war in Georgia in 1993, offers up a hostile backdrop for his collection. Labels Marine Serrre, Atlein, Benmoyal and Germanier, meanwhile, are championing freedom of expression with their eco-friendly offerings.

He doesn't often speak to the media, but when he does, we listen. Since 2018, Italian designer Riccardo Tisci has been at the helm of British fashion powerhouse Burberry. The chief creative officer speaks to us exclusively about his life and his sartorial vision. Back in Paris, we take a look at the latest offerings from Yohji Yamamoto and Christelle Kocher, who both place diversity and cultural exchanges at the heart of their work.

This year's ready-to-wear winter collections are all about love and seduction: the delicate balance between what's shown and what isn't. Vaquera has found inspiration in the iconic black latex jumpsuit worn by Maggie Cheung in the 1996 film "Irma Vep" directed by Olivier Assayas. Victor Weinsanto, meanwhile, showcases an extravagant corset-and-cape look for "Emily in Paris" star Philippine Leroy-Beaulieu. Finally, the Love Brings Love exhibition offers a moving homage to late iconic designer Alber Elbaz.