The Gerewol Festival | Arts & Culture

In the heart of France's Burgundy vineyards, where villages bear the names of grands crus such as Pommard, Nuit-Saint-Georges and Chablis, preparations are underway for the Saint-Vincent tournante wine festival; a tradition that goes back to the Middle Ages. Every year, in the last week of January, some 20,000 people are expected for the two-day festival. This time, the villages of Gilly-lès-Cîteaux and Vougeot are the lucky hosts. We catch up with Élisabeth, the head of the not-for-profit organisation, but also Bernard, a volunteer winegrower.

For the past 65 years, the Danish Church has brought together Danes of all generations in the French capital. It's a haven of peace located a few steps from the Champs-Élysées. Frederikskirken is part of the Lutheran Evangelical Church of Denmark. For Pastor Malene, the sense of community this institution offers is important. It's also a place for Danes to introduce Parisians to their culture and broaden their horizons. Our team reports.

An estimated 10 million jobs were lost in the creative industries in 2020 due to the Covid-19 pandemic, according to a report from the United Nations' cultural agency UNESCO. The organisation estimates that shutdowns and other restrictions incurred a loss of $750 billion to the global economy. The UN body is calling for better social protection for workers in the arts, many of whom lost their income for long periods during the pandemic. We discuss the report's findings with UNESCO's Berta de Sancristóbal.

For the ninth edition of FIMO228, Togo's international fashion festival, the event's founder Jacques Logoh is training the spotlight on a diverse cast of models. Larissa Solim Amelete, the face of this year's event, has succeeded in getting her family to support her modelling career, while Cathy Crussy, a TV producer, is in her 50s. Then there's Rebecca Attiogbé, who drives a forklift truck for a day job, and Alex Sef, the androgynous muse for Ethiopian label Afropian this season. FRANCE 24 went to meet them.

Experts have noticed a surge in online sales of Ethiopian artifacts. They fear these relics could have been looted during Ethiopia's ongoing civil war.

The head of the jury for the Series Mania television festival, Ukrainian producer Julia Sinkevych, speaks to Eve Jackson about the importance of festivals during times of conflict, how "culture is a powerful tool to stop aggression" and why Russian dissidents should not get help from the French government.

Find these stories and much more when you grab a copy of The Guardian on Friday.⁣

A four-day day paragliding festival has returned to the skies of eastern Ghana after the pandemic forced a two-year hiatus. The country’s first tandem paragliding pilot, Jonathan Quaye, spent years working to get this certification, and now hopes to share his love for the skies with his fellow Ghanaians.

The Lyon Fashion Film Festival is open to admissions from both art schools and brands. This year’s second edition of the event showcased a parade of fresh young talents who aren’t afraid to ruffle a few feathers. The winner of the designers' prize, Rémy Perrier, credits fashion with helping him to discover his true queer identity. Meanwhile, the collective 16:25 was awarded the Students' Prize for "Programmé.e", their mesmerising depiction of the drawn-out agony of the mourning process, juxtaposed with the frenetic pace of disposable fashion. FRANCE 24 takes a closer look.

Domestic violence is on the rise, but under-reported in Cameroon. Campaigners say official figures account for only a fraction of the women who have suffered - or even died - at the hands of their partners. And for those seeking justice, advocates say successful prosecutions are rare due to the failings and corruption within Cameroon's judicial system.

Some North Koreans are defying strict fashion and style regulations to fight conformity. But their expressions of individualism could cost them their freedom.

The 9th edition of FIMO, Togo's international fashion festival, didn’t open with a series of fashion shows, but instead with a science symposium organised by the University of Lomé. The theme of the discussion: how to pursue ethical fashion production while Africa continues to be the recipient of thousands of tonnes of the rest of the world’s unsold merchandise? And how to make the most of the rich pool of African design talent? We get some insightful answers from designers, fashion students and academics.