The Cannes Film Festival has announced the official selection for its 75th edition, which kicks off on May 17. FRANCE 24's Olivia Salazar-Winspear flags up some of the familiar faces who’ll be competing for this year's Palme d'Or, as well as some of the celebrities who will be gracing the red carpet. We also take a look at how the festival is handling features from Ukrainian and Russian artists.

On day two of the Cannes Film Festival, FRANCE 24's Olivia Salazar-Winspear tells us why the première of "Top Gun: Maverick" has movie fans jostling to catch a glimpse of US actor Tom Cruise on the red carpet. We also take a look at the first films competing for the Palme d'Or, as Kirill Serebrennikov returns to Cannes to present "Tchaikovsky's Wife". The Russian director was unable to attend the screenings of his last two films, "Petrov's Flu" and "Leto", due to living under virtual house arrest in Moscow in recent years.

He's the legendary director of "Stand By Me", "Misery", "When Harry Met Sally" and "A Few Good Men". Eve Jackson talks to Rob Reiner about having one of the longest, and most golden, runs in history with his first seven films becoming cult classics. The filmmaker is at the Cannes Film Festival as his very first movie "This is Spinal Tap" is being screened on the beach.

We take a look at some of the independent features in the sidebar sections of the 75th Cannes Film Festival. Olivia Salazar-Winspear tells us about Philippe Faucon’s "Les Harkis", which is screening in the Director's Fortnight selection. Set in 1959, it shines a light on the Algerian men who were enlisted to fight for the French Army in units known as Harkis and explores the repercussions they faced as a newly independent Algeria emerged from a deeply traumatic war of independence.

He's probably the most awaited director at this year's Cannes Film Festival. Dissident filmmaker Kirill Serebrennikov is the only Russian with a film in the official selection. In previous years, Russia banned him from going to Cannes. Now in exile in Berlin, his film "Tchaikovsky’s Wife" is competing for the top prize. Eve Jackson speaks to him about what it means to be there in person, why his film is not about Tchaikovsky's homosexuality and why it's important to defend Russian culture.

After charming the Cannes jury with "Shoplifters" in 2018, Japanese director Hirokazu Kore-eda returns to the Croisette with "Broker", an elegant reflection on family, fate and life-changing decisions that's set in South Korea. Olivia Salazar-Winspear tells us about the tender tone of this latest film, which starts with the search for an adoptive family for a newborn baby.